Brad Lichtenstein’s blog

Behind the scenes of What We Got: DJ Spooky’s Journey to the Commons

Posts Tagged ‘PBS

Almost Home Film in BROOKLYN!

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Almost Home aired back in 2006, but that was just the beginning…

We saw how the film spoke to so many people either afraid of dealing with aging issues, or overwhelmed with the care of their parents or a loved one.

We’ve been working all over the country to put the film to work — screening it with community audiences, then following up with discussion groups facilitated by local experts who can answer questions and point people to help right nearby.

The topics usually include caregiving, changing the negative culture built up around aging, and end of life.

Now, I made the film, so of course I think its great.  (But rest assured, a lot of people have said the same).  So come for the film, stay for the discussion, leave with a clearer sense of how you can deal with issues that aging may present to you in your life now, or down the road.

Saturday, March 13th

Park Slope United Methodist Church (6th avenue and 8th street)

7pm-10pm

For more info, directions, etc….

Sunday, March 14th

Union Temple (at Grand Army Plaza)

10am – 1pm (with some food served)

For more info, directions, etc….

Hope to see you there…..and please, spread the word.

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Written by Brad Lichtenstein

March 8, 2010 at 11:01 am

Janesville project — short and sweet

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Short and Sweet -- Janesville in one page

Here it is -- the short and sweet summary of our Janesville film and community engagement project

Day 4 of writing retreat

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Day 4 was fab.  Finally broke through the loss of the Fiji scene (I know, what’s the big deal?) and wrote all the way through Act 2.  I feel the argument of the film and the narrative are joining nicely.  This film won’t be for everyone, but frankly, who cares about that, now?  I think its going to be good, and I trust some others will, too.  I wrote Samir’s final speech, a unity of the natural commons and created commons, and the joy of a bright, somewhat unknown future guided by the commons-esque notion of a gift (a la Lewis Hyde).  Knowing more about the end informs the rest of the script.  I also feel I have a handle on the documentary/fiction blend within scenes.  The whole is something that needs to be examined more closely, but I’m not ready for that, yet.  I did figure out that a scene Jason wrote that takes place in a great commons – an AA meeting – is going to be near the end and in a way deal with Samir’s addiction to repeating old mistakes.  In the room are archetypes of all kinds of people representing “recovering” institutions that want to steer a new path in the bold “share economy” of the future and not be doomed to repeat past mistakes.  I know that sounds rather vague or silly or incomplete — so, you’ll just have to read it.  I’ll post a draft of the script in a month or so, once its been revised and a few trusted souls feel it is ready for your feedback.  Just an hour or so before I leave to rejoin my family “up north” (as they say here in Wisconsin).  My goal:  get the new outline up on the white board so that I can attack acts 3 and 4 next week.  Act 5 (the final act) is in pretty good shape.

I love my notecards and white board.

I love my notecards and white board.

Day 3 of writing retreat

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This was a frustrating day.  For a long time I thought that there was a delicious irony in Fiji exporting their boutique bottled product while a good portion of their own population wanted access to clean water.  For a long, long time that scene has been in the script.  But I realized that Fiji’s problem with access to clean water is not only, or even primarily, the result of privatization and export of their water supply.  It probably has more to do with bad government than anything else.  Thus, it doesn’t fit my needs at this point in the script.  What I need is a case in which water is privatized, resulting in restricted or no access for people.  I wanted an example of water being treated as a commodity rather than a commons, or basic right.  And examples abound.  But it took the entire day to come to terms with this change, and then to read and research the alternatives.  So, the train was stuck in the station for most of the day.  As I sat, frustrated, I found Fiji’s PR person and follwed him on Twitter.  His name is Rob Six, and his Twitter handle is @RobSix.  Follow him.  He seems like a good guy, if a little enthusiastic about bottled water — which is still a global problem, by the way.  More later…..photo

Day 2 of writing retreat

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I returned to the studio on Tuesday after a break on Monday for obligations like screening scenes for the Hmong film my students are making and a quick shoot in Janesville for a new film. It was a very good day. I finished structuring with notecards, moving on if there was a gap that I couldn’t solve at this level. Then I dove into the rearranging and writing on Act 1. Jason’s script v.4 spent 26 pages in mostly live-action with actors until the crazy DJ Spooky effects start to whisk Samir off into a tumble of a magical journey to discover “the commons.” My focus was to reduce that amount of live action drastically both to avoid too much of the directing of actors, something I’ve barely ever done, and to get on with the journey as quickly as possible. Now the journey more or less starts on page 15. I’ll be able to reduce that even more on a second pass. I’ve also decided that the journey progresses from almost normal but strange to really wacky. In that light, I’m working on a scene in which Samir is on a plane to Fiji (where there is a bottled water documentary scene). While flying, a Michael Crichton book “talks” to Samir about the privatization of genetic material. Crichton was a critic of such privatization, and his last published book, Next, is about the issue (in part). Anyway, I’m on to day 3, now. Fun, fun, fun……

And, because these things matter: I FINALLY got a male/male mini-stereo cable so that my super sweet Audio-Technics no-noise headphones will work. My last cable was cutting in and out.

Good headphones make for good work

Good headphones make for good work

Science Commons – check this video

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If creativity wants to be freer than copyright allows, science wants to be freer than patents allow.  Check this video and let me know your thoughts.  Science Commons!

[blip.tv ?posts_id=1326014&dest=-1]

Check it out…the budget for Almost Home

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Well, when the author of Shaking the Money Tree suggests that a budget would be helpful, I jump!  Thanks for the suggestion, Morrie.

My back is killing me!

My back is killing me!

Please know that the budget I’ve included here made a few assumptions that turned out not to be true.  For instance, while the University of Wisconsin-Milwaukee did provide space in-kind, it did not offer adequate legal services, so I had to purchase my own.  Thank you FKKS!  And technology has changed in just 3 years, when this budget was created, so keep that in mind.  By and large, though, this budget is a good reflection of our effort. And we held to its bottom line.  Let me know your thoughts.  And please feel free to use the comments section of this blog to ask questions or discuss the budget.  Hope you find this helpful.   One note.  Some links remained in the budget document that I pasted.  I can’t get rid of them.  They go nowhere.  Sorry!

Enjoy!

Acct. Account Name Unit Qty Rate Amount Detail Totals
1100 PRODUCTION STAFF
1101 Producer allow 1 $100,000 $100,000
1102 Associate Producer weeks 77 $800 $61,280
1105 Project Intern(s) UWM In-kind 0 $0 $0
1106 Bookkeeper weeks 77 $90 $6,894
1190 Payroll Expenses
1191 Production Staff taxes & fringe allow 1 $31,325 $31,325
TOTAL 1100 DETAIL $199,499
1300 RESEARCH & PREPRODUCTION TRAVEL/MATERIALS
1301 Plane fares RT – persons 2 $350 $700
1302 Car rental days 2 $65 $130
1303 Hotel persons – days 2 $100 $200
1304 Ground transportation days 2 $75 $150
1305 Meals person-days 2 $45 $90
1306 Research materials allow 1 $750 $750
1307 Gratuities, Misc. Expenses allow 1 $250 $250
TOTAL 1300 DETAIL $2,270
1400 PRODUCTION
1401 Cameraperson shoot days 84 $600 $50,400
1402 Camera w/ ultra-wide lens months 7 $4,500 $31,500
1403 Sound Recordist shoot days 84 $325 $27,300
1405 Add’l Lighting Package allow 1 $2,000 $2,000
1406 DVCam Stock T-60 294 $24 $7,056
1407 Production supplies allow 1 $1,500 $1,500
TOTAL 1400 DETAIL $119,756
1500 PRODUCTION EXPENSES
1501 Van Rental days 28 $85 $2,380
1506 Tolls, Parking, Gas days 28 $20 $560
1507 Production Food days-persons 168 $45 $7,560
1510 Location Fees allow 1 $1,000 $1,000
1511 Gratuities allow 1 $500 $500
TOTAL 1500 DETAIL $12,000
1600 POST-PRODUCTION PERSONNEL
1601 Editor weeks 36 $2,500 $89,000
1604 Ass’t Editor weeks 40 $650 $25,740
1605 Post-production Intern weeks/inkind 0 $0 $0
1691 Post-production Staff taxes & fringe weeks / union payments 36 220.00 $7,832
TOTAL 1600 DETAIL $122,572
1700 POST-PRODUCTION EQPT, SERVICES & TRAVEL
1701 Avid (editing facilities) weeks 36 $1,000 $36,000
1702 Edit phone, office & petty cash Months 9 $75 $675
1703 Transcription Service hours 74 $120 $8,820
1705 Add’l VHS Dubs T-120 150 $7 $1,050
1706 On-line Edit hours 32 $300 $9,600
1707 Color Correct hours 24 $300 $7,200
1708 Computer Animation (Photos) hours 4 $250 $1,000
1709 Chryon Pre-programming hours 8 $100 $800
1710 Sound Editing days 10 $650 $6,500
1711 Audio Mix hours 48 $300 $14,400
1712 DigiBeta stock for masters T-124 2 $180 $360
1713 Online Layoff to Digibeta T-124 2 $180 $360
1714 Digibeta Copies from Master Digibeta T-124 8 $180 $1,440
1715 Misc dubs, preview copies, etc allow 1 $250 $250
1716 VHS cassettes of final film dubs 100 $7 $700
1717 Edit Room Computer allow 1 $2,000 $2,000
1718 Graphic Opening Sequence allow 1 $15,000 $15,000
1719 Closed Captioning hours 2 $1,600 $3,200
1720 Plane Fares trips 7 $350 $2,450
1721 Ground Transportation trips 7 $150 $1,050
1722 Meals trips 21 $65 $1,365
TOTAL 1700 DETAIL $114,220
1800 LICENSING
1801 Original Music Score (incl. production) allow 1 $15,000 $15,000
1802 Music Cue Licensing allow 1 $8,000 $8,000
1803 Archival Footage Licensing (incl. transfers) allow 1 $1,500 $1,500
TOTAL 1800 DETAIL $24,500
2000 PROFESSIONAL SERVICES
2001 Legal UWM In-kind / allow 1 $0 $0
2002 Publicity allow 1 $9,000 $9,000
2003 Insurance (E&O) allow 1 $6,000 $6,000
TOTAL 2000 DETAIL $15,000
Subtotal $609,817
Outreach Grand Total $262,048

$887,038